Al-Dura unravelled, againSeptember 7, 2005 16:18 by BackSpin Editor
In Commentary, Nidra Poller provides the latest critical analysis of the Mohammed Al-Dura incident:
[Al Dura's] story, perhaps the single most powerful force behind the Palestinian cult of child sacrifice over the last years, has been dramatized in spots on Palestinian television urging others to follow in his path, retold in a recruitment video for al Qaeda, and immortalized in epic verse by the Palestinian poet Mahmoud Darwish.
But is it true?
Poller analyzed hours of film from the scene that day, and found a great deal of dramatic acting going on:
The Reuters, AP, and France-2 outtakes that I viewed show two totally different and easily identifiable types of activity at Netzarim junction: real, intifada-style attacks, and crudely falsified battle scenes… In the “reality” zone, excited children and angry young men hurl rocks and Molotov cocktails at the Israeli outpost while shababs (“youths”) standing on the roof of the Twins throw burning tires down onto the caged lookout; this goes on seemingly for hours, without provoking the slightest military reaction from Israeli soldiers.
At the same time, in the “theatrical” zone, Palestinian stringers sporting prestigious logos on their vests and cameras are seen filming battle scenes staged behind the abandoned factory, well out of range of Israeli gunfire. The “wounded” sail through the air like modern dancers and then suddenly collapse. Cameramen jockey with hysterical youths who pounce on the “casualties,” pushing and shoving, howling Allahu akhbar!, clumsily grabbing the “injured,” pushing away the rare ambulance attendant in a pale green polyester jacket in order to shove, twist, haul, and dump the “victims” into UN and Red Crescent ambulances that pull up on a second’s notice and career back down the road again, sirens screaming. In one shot we recognize Talal Abu Rahmeh in his France-2 vest, filming a staged casualty scene.
Melanie Philips writes:
the evidence assembled in this article strongly suggests that France 2 is guilty of one of the most monstrous pieces of deception of modern times whose effects in terms of fomenting hatred, violence and mass murder have been incalculable.