One does have to wonder about the ‘neutrality’ of a photojournalist who gets a picture like this:
Now, photographer Mohammed Abed could not have just ‘coincidentally been there’ when these guys were assembling their bomb. So he was made privvy to their plot and was asked to document it. At what point does a photojournalist cease to be a neutral journalist and start becoming a collaborator in (terrorist) violence?
(Hat tip: LGF)